Review
Touted as the next Stieg Larsson (or if you prefer Norway's answer to Sweden's other major literary export Henning Mankell) Jo Nesbo's Headhunters had already been earmarked for a (no doubt inferior) US remake before it was even released overseas.
Roger Brown (Aksel Hennie) is a 168cm recruitment consultant with a big house a beautiful wife and an inferiority complex that drives him to moonlight as an art thief. The prosaically named protagonist is no Thomas Crown he steals to keep a (wildly overleveraged) roof over his head and only pockets a measly 30% of the revenue from his illgotten gains. Even his appearance is counterintuitive more bug eyed Steve Buscemi than suited and booted Bond. Even so there's more going on here than meets the eye but suffice to say that his real troubles start when he decides to go after The Big One the retirement score that will put an end to his financial troubles and allow him to keep his ridiculously attractive wife in the style to which he's become accustomed.
To say anything more about the plot would be superfluous but I will take a moment to admire the confidence of the director Morten Tyldum. Headhunters is in a sense typically Scandinavian stark brooding and with as much silence as dialogue. The style here serves the substance the camera is often completely immobile forcing the audience to concentrate on what's going on a complete contrast to the craftsmanshipgimmickry more typical of glossy mainstream thrillers coming out of the US. Rather than spoonfeeding the audience every single clue Headhunters isn't afraid to lead the unwitting watcher on a merry dance. Naturally the whole enterprise rests on the small but perfectly formed cast particularly Hennie with whom we slowly come to empathise and the more typically suave Nikolaj CoasterWaldau as the former exec with a murky past.
If Headhunters has a particular weakness it's that it spends most of its time descending into increasingly dark (and occasionally graphically violent) territory while occasionally veering into light hearted caper. This does feel slightly bewildering but to be honest it's a relative minor criticism. Headhunters is definitely worth catching (particularly given the woefully slim pickings over the past few months) if not now then 6 months from now when it premieres on Film Four in the middle of the night. Scandinavians (and cinບstes with a penchant for Northern European film) may be used to this kind of thing but for the rest of us it's a wonderfully welcome arctic blast through the land's tat filled cinema screens.