An innovative look at the life of fictional Mafia Capo Tony Soprano this serial is presented largely first person but additional perspective is conveyed by the intimate conversations Tony has with his psychotherapist. We see Tony at work at home and in therapy. Moments of black comedy intersperse this aggressive adult drama with adult language and extreme violence.
Review
The Sopranos mythology is as close an analogue to Greek mythology well ever get in modern life. Its all there. The archetypes of Zeus longsuffering Hera oracles sibyls the virginal Persephone Zeus seduction of mere mortal women (who can be destroyed by it) the messengers and functionaries of Zeus the wandering eye of the Most High himself on and on it goes. AND there are the deep emotions and passions that go with it.
Greek and Roman mythology has become so quaint to us we "teach" it to sixth graders and sent them to see Disney productions of Hercules as an example. (Disney doesnt tell you the one about when Hercules batters one of his wives kills her and slaughters his childrenI think thats the way it goes.) The schools dont "teach" about the mother who chops up her own children (whom she loves) to bake in a pie to feed to the husband she hates.
They dont "teach" the crazed women who mutilate the man who scorns them. Or the girl who arranges to sleep with her own father. What passes as the Greek myths in schools is really just kind of bullshit. Or...isnt there one where Zeus makes love to a mortal woman who wants to see him in his "true form" She burns up or something. Tony does that too to the car saleswoman. What about the dancer at Bada Bing I havent got to the end of the art gallery girl yet.
But The Sopranos really approaches the bloodthirst of the Gods their cruelty their indifference to mere mortals...and their so so human traits mixed in with their almost unbearable inhumanity. But dont forget they sometimes show great wisdom and kindness too. The Gods and the Sopranos mingle with us mere mortals but we say a little prayer of thanks when they pass us by. They know things we dont.
Personally speaking when I think about "the mob" they seem to have the sort of reality to me (or your average Joe) of being sort of "out there" just like a forces of nature and I dont ever want to get them mad at me. I know I just might brush past them every once in a while Im sure but I would hardly know it. If a mobster came to me in disguise just as the Greek Gods were used to doing with mere mortals I hope I would treat him in a way so as not to invoke his wrath in consequence. As a child I felt about the Greek Gods with the same sense of mystery and heightened imagination believing they were "out there" and about somewhere but one just never really got to see them upclose.
Now Im pretty sure this analogy to the Gods in The Sopranos is not done purposefully by the David Chase...he might have an awareness sure hes incredibly smart but hes NOT making allusions to specifics...its not an algorithm. Or (gods help us) an homage. Hes just being true to the subject material in the best way he knows howand its absolute dynamite. Its no surprise the Sopranos reaches directly back to the Greeks. This kind of gradiosity and passion BELONG to the Sicilian and Italian culture (Sicily was an outpost of Ancient Greece) and have done for thousands of years. For Chase NOT to "go there" with the violence and sexuality would not be possible.
The greatness of the GrecoROMAN myths lies precisely in their depth of presenting vividly exhaustively splendidly the alltoo human capacity for evil (among other things). The myths are the extremes we are all capable of if pushed into passion. David Chases genius is that he has crystalized our cultural fascination of gangsters into a mythology worthy of the Greeks. I think his take on the mob is BETTER than Puzo or Scorsese. He somehow (consciously or unconsciously I dont know) recognized the archetypes involved intimately and ran with them.
For anyone who thinks The Sopranos glorifies violence (as one dude posting here felt) that person needs to take a survey of literature or something. God read Shakespeare. Take a course in history. Hell look to Iraq. We live in a violent world. Learn how to digest story and context. Constantly the show presents the REALITY but then always the consequences.
The pleasure of watching this show is that the barrier of the TV screen protects us. I think the writers are constantly reminding us of the moral dimension involved. The Sopranos is at the bottom of it deeply moral. Its about actions and codes. If you get hung up on the violence you probably had better watch something else and leave it at that. Go drink some Kool Aid and chill.
Heres a suggestion to deepen the Soprano experience. Get out the tragedies and original sources (not Edith Hamilton!) and read them thinking of the Sopranos. And conversely if you know the myths already and want to see them truly brought to life think of them when you are watching The Sopranos. Youll see Zeus. Youll see Hera. Youll see all kinds of Gods.
(Look again at his mother who wanted figuratively to eat him just like the Titans tried to eat Olympians.) The parallels are absolutely chilling.
If they wanted to pack the opera houses these days they should get all the conductors and opera directors to watch The Sopranos en masse. That might revive opera overnight. Opera houses should just go back to the beginning and revive some of those very old operas and learn a few things from the Sopranos. Opera actually began in Italy as a movement to recreate and revive the grandeur of Greek tragedy. Interesting hm Look what its come to. Sad.
Pavarotti would sing a HELL of a Tony Soprano...as a Tenor of course.
Its too bad some people dont get it. They dont see at bottom The Sopranos is really about moral choices and consequences its BEYOND entertaining (it fascinates) because it parades all the deep and dark things most of us never ever have to take resposibility for.
Its truly Great Drama.