Three amateurs stickup a Mob protected card game causing the local criminal economy to collapse. Brad Pitt plays the hitman hired to track them down and restore order. Killing Them Softly also features Richard Jenkins James Gandolfini Ray Liotta Scoot McNairy Ben Mendelsohn and Vincent Curatola. Max Casella Trevor Long Slaine and Sam Shepard also make appearances.
Review
If you want to watch Scarface go watch Scarface. This movie isn't. KTS is a 180 from the majority of crime classics and their many copycats.
The factor that clumps most crime genre flicks together is the topdown perspective. For instance in the Departed it was the rats joining up with the heads of their respective sides of the law Costello and Queenin. The same with Pauli in Goodfellas the Don in Godfather.
KTS splits apart because it is a film about crime from the perspective of the prey. The opening shot is a junkie in a cold wet New Orleans wind lost in a whirlwind of trash against harsh white sky. This is the view of hopelessness its also the familiarity of many postdisaster neighborhoods. These characters absorbed into the criminal underworld not because they are evil but because they haven't many other options and they're too dumb to know the danger they are in. This is the what KTS communicates to us with the background broadcast of the '08 elections and financial meltdown.
When bullets fly in this film you feel it because you feel for the characters which is why having Cogan as its opaque center is so blisteringly effective. He is pragmatic unapologetic and a completely objective lens to see through. He is the balance between the corrupt political overcast and slime at the bottom of the barrel.
Ȫmerica isn't a country. It's a business."
Cogan is the the cleanup for the corporation. He snips the buds ties up the loose ends. He is the inevitability of the business world.
"They are all nice guys."
The humanization of the characters drains you as one by one they slip into darkness. Cogan's jaws open and you understand that the characters are rats in a labyrinth they are all gears that will eventually be discarded. The soundtrack rhetoric quite fluidly illuminates the movies' greater statement. With all the economic jargon in a pingpong propaganda game there are people sleeping out on the streets and a hungry dog has to eat. And all the way up the food chain through a shady poker game in the back of some shutdown strip mall to the podium and our new elected president everyone is a hungry dog here.
This is a methodical film that takes its time with each individual scene. It plays with time and space slowing down drifting in and out and then exploding. Cogan walks through the sparks and smoke he is our escort in understanding the nature and design of things and he does with an unforgettable composure.
The elements of the film acting cinematography etc adapt to its scope and drive the purpose that the makers sat down and did it. Each end does its job and considering where you end up there's not much room for improvement in any area. Is it the Godfather No. But its something completely different and for what KTS was intending to accomplish it was excellent.
Don't be deterred by the negative reviews but don't go in expecting the recycling of Scorsese and Copella. This a picture of its own kind of its own vision. Let it move you.